Why this chapter matters for UPSC: The Gupta period (~320–550 CE) — described as the "Golden Age of India" — is one of the most tested topics in UPSC GS1. Samudragupta's Allahabad Pillar inscription, the achievements of Chandragupta II (Vikramaditya), the Gupta decline from Hun invasions, Harsha's empire, and the Pallavas and Chalukyas of South India all appear in questions.
Contemporary hook: The Allahabad (Prayagraj) Kumbh Mela, the world's largest human gathering, takes place near the site of the Allahabad Pillar — where Samudragupta's court poet Harishena inscribed his famous prashasti (~4th century CE). The pillar has been at this location for 1,600 years. India's classical literature, mathematics, and medicine all reached their peak during the Gupta period — Aryabhata's calculations (that the Earth rotates on its axis, value of pi as 3.1416) and Kalidasa's Sanskrit plays were products of this era.
PART 1 — Quick Reference Tables
Gupta Rulers
| Ruler | Period | Key Achievements |
|---|---|---|
| Chandragupta I | ~320–335 CE | Founded Gupta Empire; married Licchavi princess Kumaradevi; first to use "Maharajadhiraja" title |
| Samudragupta | ~335–375 CE | Military conquests across India; "Napoleon of India" (V.A. Smith); Allahabad Pillar inscription by Harishena |
| Chandragupta II (Vikramaditya) | ~375–415 CE | Defeated Shakas in western India; peak of Gupta power; Fa-Hien's visit; "Nine Gems" (navaratna) at court including Kalidasa |
| Kumaragupta I | ~415–455 CE | Founded Nalanda University; Hun pressure began |
| Skandagupta | ~455–467 CE | Repelled Huns (Hephthalites) temporarily; empire weakened after |
Gupta Period — Golden Age Achievements
| Field | Achievement |
|---|---|
| Mathematics | Aryabhata (born 476 CE): calculated pi (π ≈ 3.1416), heliocentric concept (Earth rotates), algebra |
| Astronomy | Aryabhata: Aryabhatiya; explained solar/lunar eclipses correctly; calculated Earth's diameter |
| Medicine | Sushruta Samhita (surgery); Charaka Samhita (medicine) — refined in Gupta period |
| Literature | Kalidasa: Meghaduta, Shakuntala (Abhijnanasakuntalam), Raghuvansha, Kumarasambhava |
| Drama | Sanskrit drama reaches peak — Kalidasa, Bhasa, Shudraka (Mricchakatika) |
| Metallurgy | Iron Pillar of Delhi (~5th century CE) — 1,600 years old, virtually rust-free (resistant iron alloy) |
| Art | Ajanta cave paintings (Phases 1 & 2); Gupta sculpture; Dashavatara temple |
Post-Gupta Period
| Ruler/Kingdom | Period | Significance |
|---|---|---|
| Harshavardhana | 606–647 CE | United north India; capital Kanauj; patron of Buddhism; Xuanzang's visit; Nalanda flourished |
| Pallavas | ~3rd–9th century CE | Capital Kanchipuram; Mamallapuram (Mahabalipuram) temples; patronised Tamil Bhakti |
| Chalukyas of Vatapi | ~543–757 CE | Capital Badami (Karnataka); fought Pallavas; Aihole and Pattadakal temples |
| Rashtrakutas | ~753–982 CE | Replaced Chalukyas; Ellora cave temples (Kailasa temple) |
PART 2 — Detailed Notes
The Gupta Empire — Foundation
Why the Gupta period is called the Golden Age:
The Gupta period saw extraordinary achievements across multiple fields simultaneously:
- Political stability: Effective empire across north India for ~200 years; relatively low taxation (Fa-Hien noted: "People are prosperous and happy... and are not overburdened with taxation")
- Economic prosperity: Trade with Rome and Southeast Asia; gold coins (dinara) of exceptional quality
- Religious freedom: Gupta kings were personally Vaishnava (Vishnu devotees) but patronised Buddhism, Jainism, and Shaivism
- Literature: Kalidasa — often called "the Shakespeare of India" — produced masterworks of Sanskrit poetry and drama
- Science: Aryabhata made calculations that anticipated European discoveries by centuries
- Art: Ajanta cave paintings (Phases 1 & 2 under Guptas) are India's greatest artistic achievement
Contrast with Mauryan period: Mauryan strength was centralised bureaucracy and military power; Gupta strength was cultural and intellectual flowering on a more decentralised political base.
Samudragupta — "Napoleon of India"
Allahabad Pillar Inscription (Prayag Prashasti):
The Allahabad Pillar (an Ashokan pillar reused) at Prayagraj bears an inscription by Samudragupta's court poet Harishena. This prashasti (eulogy/praise poem) is our primary source for Samudragupta's reign.
It describes:
- Aryavarta kings (north India): Directly defeated and annexed — their territories incorporated into the Gupta empire
- South Indian kings (Dakshinavatha kings): Defeated but allowed to continue ruling after submission — Samudragupta's strategy was political incorporation of north, not south
- Forest kingdoms (Atavika states): Forced submission
- Border rulers and foreign kings (Kushanas, Shakas, Sri Lanka): Paid tribute and homage
"Napoleon of India": The term was coined by British historian V.A. Smith because of Samudragupta's military genius and vast conquests. However, unlike Napoleon, Samudragupta was also a poet and musician himself — the coins depict him playing the veena.
Prashastis and Land Grants — New Sources
Prashasti (Sanskrit: "praise"): A laudatory inscription about a king — typically written in flowery, ornate Sanskrit by the king's court poets. Examples:
- Allahabad Pillar Inscription (Samudragupta)
- Aihole Inscription (Pulakesi II — Chalukya king, ~634 CE; describes his victory over Harsha)
- Mandasor Inscription (Kumaragupta I)
Limitation: Prashastis are deliberate PR — they praise the king extravagantly and don't mention failures. Must be cross-checked with other sources.
Land grants (tamra-patra): Copper plate inscriptions recording grants of land by kings to Brahmin scholars, temples, or Buddhist monasteries. These reveal:
- The land revenue system
- The decline of centralised authority (kings giving away revenue-generating land suggests a weakening state)
- The growing power of Brahmin landholders
- The beginning of Indian feudalism
Chandragupta II and the Navratnas
Chandragupta II's court at Ujjain (he shifted the capital here) is associated with the Nine Gems (Navaratna) — nine brilliant scholars/artists:
- Kalidasa (poet-playwright)
- Aryabhata (mathematician-astronomer) — though some place him in a later period
- Varahamihira (astronomer; wrote Panchasiddhantika, Brihat-samhita)
- Vararuchi (grammarian)
- Amarsimha (lexicographer; wrote Amarakosha)
- Dhanvantari (physician; Ayurveda)
- Others — the exact list varies in different traditions
The Iron Pillar of Delhi (~5th century CE) — 7.2m tall, weighing ~6 tonnes, made of high-purity iron with exceptional corrosion resistance — bears an inscription of Chandragupta II. The pillar has stood in the open for 1,600 years with minimal rusting, demonstrating Gupta metallurgical sophistication.
Harsha (606–647 CE)
Harshavardhana was the last great ancient Indian emperor. After the Gupta decline (from ~500 CE), north India fragmented. Harsha, king of Thanesar (Haryana), brought most of north India under his control.
Key facts:
- Capital: Kanauj (UP)
- Religion: Initially Shaiva; later patron of Buddhism (perhaps converted)
- Xuanzang visited his court for several years — detailed account in the Si-yu-ki
- Held the Kumbh Mela at Prayag every 5 years; donated all his treasury wealth to Buddhism and religion
- Harshacharita (biography): Written by his court poet Banabhatta — one of the finest examples of Sanskrit prose
- Harsha himself was a playwright: Nagananda, Ratnavali, Priyadarshika
- Defeated by Pulakesi II of the Chalukyas at the Narmada river — couldn't expand south; this is recorded in the Aihole Inscription
After Harsha's death (647 CE), north India fragmented again for centuries.
South India — Pallavas and Chalukyas
UPSC: South Indian temple architecture, Pallava-Chalukya rivalry, and rock-cut cave temples are tested in GS1 (Art and Culture).
Pallavas (~3rd–9th century CE):
- Capital: Kanchipuram (Tamil Nadu)
- Mahabalipuram (Mamallapuram): Five Rathas (monolithic rock-cut chariots) and Arjuna's Penance bas-relief — Narasimhavarman I (Mamalla, ~630–668 CE); Shore Temple — built by Narasimhavarman II (Rajasimha) (~700–728 CE)
- Patronised Tamil Bhakti — the Alvars and Nayanmars flourished under Pallava rule
- Sent missionaries to Southeast Asia — Pallava script was adopted by several SE Asian cultures; "Sanskrit belt" of Southeast Asia is partly a Pallava legacy
Chalukyas of Vatapi (Badami) (~543–757 CE):
- Capital: Badami (Karnataka)
- Aihole: "Cradle of Indian temple architecture" — hundreds of experimental temples in different styles
- Pattadakal: UNESCO World Heritage Site; unique because it contains both Nagara (north Indian) and Dravida (south Indian) style temples side by side
- Pulakesi II (~610–642 CE): Greatest Chalukya king; defeated Harsha on the Narmada; received a Persian embassy (depicted in Ajanta cave painting)
PART 3 — Frameworks & Analysis
Why Did the Gupta Empire Decline?
| Factor | Detail |
|---|---|
| Hun invasions | Hephthalite (Hunas) invasions from Central Asia (~5th century CE); Skandagupta repelled first wave but empire weakened |
| Feudalisation | Land grants to Brahmins and temples → kings lost revenue base → couldn't maintain central army |
| Regional governors | Provincial governors became increasingly autonomous as central control weakened |
| Internal conflicts | Succession disputes after Skandagupta |
| Trade disruption | Rome's decline (~5th century CE) reduced western trade; economic base weakened |
Comparing Mauryan and Gupta Empires
| Aspect | Maurya (321–185 BCE) | Gupta (320–550 CE) |
|---|---|---|
| Administration | Highly centralised; paid officials | More decentralised; land grants to officials |
| Economy | State control of mines, forests, trade | More market-based; merchant guilds powerful |
| Religion | State patronage of Buddhism (Ashoka) | Brahmanical Hinduism revived; but tolerant |
| Culture | Architecture (stupas, pillars) | Literature, science, painting, sculpture |
| Primary sources | Megasthenes, Arthashastra, Edicts | Prashastis, Fa-Hien, Kalidasa's works |
[Additional] 11a. Group of Monuments at Mahabalipuram — UNESCO WHS 1984
The chapter mentions Mahabalipuram (Mamallapuram) and the Pallava temples but provides no detail on the UNESCO World Heritage inscription (1984), the specific monuments within the WHS, the precise Pallava attribution (which king built what), or the recent diplomatic significance of the site (India-China 2019 informal summit). These are direct UPSC GS1 targets.
Key Terms — Mahabalipuram WHS:
| Term | Meaning |
|---|---|
| Group of Monuments at Mahabalipuram | UNESCO WHS name; WHL No. 249; inscribed 1984; Chengalpattu district, Tamil Nadu; UNESCO criteria (i)(ii)(iii)(vi) |
| Five Rathas (Pancha Pandava Rathas) | Five monolithic rock-cut chariot-temples at Mahabalipuram, carved from a single long granite outcrop; built by Narasimhavarman I (Mamalla) (~630–668 CE); named — by tradition only — after the Pandavas (Draupadi, Arjuna, Bhima, Dharmaraja, Nakula-Sahadeva); they have no actual Mahabharata connection |
| Shore Temple | A structural (built, not rock-cut) temple at Mahabalipuram, on the Bay of Bengal; complex of three shrines; built by Narasimhavarman II (Rajasimha) (~700–728 CE); one of the oldest surviving structural temples in South India |
| Arjuna's Penance / Descent of the Ganges | A giant open-air bas-relief carved on a natural rock face at Mahabalipuram; one of the largest open-air rock reliefs in the world; attributed to Narasimhavarman I (Mamalla) (~630–668 CE); shows figures descending along a natural cleft representing the Ganga; UNESCO criterion (i) specifically cites this as a unique artistic masterpiece |
| Narasimhavarman I (Mamalla) | Pallava king (~630–668 CE); "Mamalla" = "Great Wrestler"; the town Mamallapuram is named after his title; built the Five Rathas, cave mandapas (including Mahishasuramardini and Govardhanadhari), and the Arjuna's Penance bas-relief — all rock-cut |
| Narasimhavarman II (Rajasimha) | Pallava king (~700–728 CE); introduced structural (built) architecture at Mahabalipuram; built the Shore Temple |
[Additional] Mahabalipuram UNESCO WHS — Key Facts and Diplomatic Significance (GS1 — Art & Culture):
UNESCO inscription facts:
- Official name: Group of Monuments at Mahabalipuram
- WHL Number: 249
- Inscription year: 1984
- Location: Chengalpattu district, Tamil Nadu (pre-2019: Kanchipuram district)
- UNESCO criteria: (i)(ii)(iii)(vi)
UNESCO criteria — what each means:
| Criterion | What it recognises |
|---|---|
| (i) | The "Descent of the Ganges" (Arjuna's Penance) is a unique artistic masterpiece — one of the world's largest open-air rock reliefs |
| (ii) | Mahabalipuram's sculptural influence spread to Southeast Asia — Cambodia, Vietnam (Annam), and Java — through Pallava cultural diplomacy |
| (iii) | Pre-eminent testimony to the Pallava civilisation of South India (~7th–8th centuries CE) |
| (vi) | One of the major centres of the Shiva cult; important pilgrimage site |
Monuments and Pallava attribution:
| Monument | Type | Builder | Period |
|---|---|---|---|
| Five Rathas | Rock-cut (monolithic) | Narasimhavarman I (Mamalla) | ~630–668 CE |
| Arjuna's Penance / Descent of the Ganges | Open-air bas-relief | Narasimhavarman I (Mamalla) | ~630–668 CE |
| Cave Mandapas (Mahishasuramardini, Govardhanadhari, etc.) | Rock-cut caves | Narasimhavarman I (Mamalla) | ~630–668 CE |
| Shore Temple | Structural (built) | Narasimhavarman II (Rajasimha) | ~700–728 CE |
Key architectural facts:
- The Five Rathas are carved from a single long granite outcrop — never completed (no inscriptions, no consecration evidence); they are architectural experiments or unfinished royal commissions
- The Shore Temple is a structural temple (built from assembled stone blocks), unlike the rock-cut monuments — Narasimhavarman II introduced this new building technology at the site; it is one of the oldest surviving structural temples in Tamil Nadu
- The Mahishasuramardini Cave mandapa contains one of the finest Pallava sculptures: the 8-armed Durga killing Mahisha (the buffalo-demon) and the reclining Vishnu panel
Pallava cultural influence in Southeast Asia: Pallava script was adopted by several Southeast Asian cultures for writing their languages — the scripts of Khmer (Cambodia), Old Malay, Old Javanese (Kawi), and Old Mon are directly derived from the Pallava Grantha script. This script transmission is the basis for UNESCO criterion (ii) — the cultural influence of Pallava art and script across maritime Southeast Asia.
Diplomatic significance — 2019 India-China informal summit: On October 11–12, 2019, PM Modi hosted Chinese President Xi Jinping for the Second Informal India-China Summit at Mahabalipuram. The choice of a Pallava-era site was deliberate — Pallava cultural and maritime connections with Southeast Asia (including China's maritime trading partners) made it a symbol of civilisational depth in the bilateral relationship. The "Chennai Connect" from this summit was intended to stabilise the Wuhan spirit of 2018.
UPSC synthesis: Mahabalipuram = GS1 Art & Culture. Key exam facts: WHL No. 249, inscribed 1984; Chengalpattu district Tamil Nadu; criteria (i)(ii)(iii)(vi); Five Rathas = monolithic rock-cut = Narasimhavarman I (Mamalla) (~630–668 CE); Shore Temple = structural = Narasimhavarman II (Rajasimha) (~700–728 CE); Arjuna's Penance = largest open-air rock relief = Narasimhavarman I; Pallava script → Southeast Asian scripts = criterion (ii); India-China 2nd informal summit = October 2019 at Mahabalipuram. Prelims trap: Shore Temple was built by Narasimhavarman II (NOT I); the Five Rathas are named "Pandava" but have no actual Mahabharata connection; Mahabalipuram WHS = 1984 (NOT 2004 or 1987); criteria = (i)(ii)(iii)(vi) (NOT (iv)(v)).
[Additional] 11b. Group of Monuments at Pattadakal — UNESCO WHS 1987 and the Iron Pillar's Corrosion Resistance
The chapter mentions Pattadakal as a UNESCO WHS and the Iron Pillar of Delhi but provides no detail on the Pattadakal UNESCO inscription (WHL 239, 1987) or the scientifically fascinating reason why the 1,600-year-old Iron Pillar has not rusted. Both gaps are directly tested in UPSC GS1.
Key Terms — Pattadakal and Iron Pillar:
| Term | Meaning |
|---|---|
| Group of Monuments at Pattadakal | UNESCO WHS; WHL No. 239; inscribed 1987; Bagalkot district, Karnataka; UNESCO criteria (iii)(iv); 5.56 hectares core area; 10 principal monuments (9 Hindu + 1 Jain) |
| Nagara style | North Indian temple architecture; characterised by a curvilinear (beehive-shaped) shikhara (tower) over the sanctum; found mainly across north and central India |
| Dravida style | South Indian temple architecture; characterised by a pyramidal (tiered) vimana (tower); found mainly across peninsular India |
| Vesara style | A hybrid/fusion of Nagara and Dravida; the Papanatha Temple at Pattadakal is a classic example — a deliberate architectural experiment combining elements of both |
| Virupaksha Temple | The largest and most important temple at Pattadakal; Dravida style; built ~740 CE by Queen Lokamahadevi (wife of Chalukya king Vikramaditya II) to commemorate his victory over the Pallavas of Kanchipuram; modelled on the Kailasanatha Temple at Kanchipuram |
| Iron Pillar (Loh Stambha) | A 7.21-metre, ~6-tonne high-purity iron pillar at the Qutb Minar complex, Mehrauli, Delhi; built by Chandragupta II (~375–415 CE); originally erected at Vishnupadagiri hill near Udayagiri (Vidisha, MP); moved to Delhi likely by Tomar ruler Anangpal (~11th century CE); remains virtually rust-free after 1,600 years |
| Prof. R. Balasubramaniam | IIT Kanpur metallurgist; conducted the definitive scientific study on the Iron Pillar's corrosion resistance (published in Current Science); identified the iron hydrogen phosphate hydrate inner layer + misawite outer layer mechanism as the key protective system |
[Additional] Pattadakal UNESCO WHS and Iron Pillar Science (GS1 — Art & Culture / Science):
Pattadakal UNESCO inscription facts:
- Official name: Group of Monuments at Pattadakal
- WHL Number: 239
- Inscription year: 1987
- Location: Bagalkot district, Karnataka; on the left bank of the Malaprabha river
- Core area: 5.56 hectares
- UNESCO criteria: (iii) and (iv)
- Total monuments: 10 (9 Hindu + 1 Jain)
UNESCO criteria — what each means:
| Criterion | What it recognises |
|---|---|
| (iii) | Bears exceptional testimony to the Chalukya civilisation; demonstrates religious tolerance (coexistence of Hindu and Jain structures) |
| (iv) | Outstanding example of the eclectic early Chalukya style — unique harmonious fusion of northern Nagara and southern Dravida architectural forms within a single site |
Key temples — style and builder:
| Temple | Style | Builder | Notes |
|---|---|---|---|
| Sangameshvara | Dravida | Vijayaditya Satyashraya (697–733 CE) | Oldest temple at the site |
| Virupaksha | Dravida | Queen Lokamahadevi (wife of Vikramaditya II, ~740 CE) | Largest; modelled on Kailasanatha, Kanchipuram; built to celebrate Pallava victory |
| Mallikarjuna | Dravida | Queen Trailokyamahadevi (sister-queen of Lokamahadevi, ~745 CE) | Also celebrates the Pallava victory |
| Papanatha | Vesara (Hybrid) | Mid-8th century CE | Deliberate Nagara-Dravida fusion; most architecturally complex |
| Kasivisvesvara, Jambulinga, Kadasiddhesvara | Nagara | Various Chalukya period | Pure Nagara examples |
Why Pattadakal is unique:
- The only site in India where both Nagara and Dravida styles were built side by side by the same dynasty at the same time
- The Virupaksha Temple's construction was directly inspired by the Pallavas' own Kailasanatha at Kanchipuram — the Chalukyas brought Pallava artisans back to Pattadakal after their victory (evidenced by inscriptions) — demonstrating direct artistic transfer between rival dynasties
- Pattadakal thus records the first conscious architectural synthesis in Indian history
Iron Pillar of Delhi — facts and science:
| Feature | Detail |
|---|---|
| Location | Qutb Minar complex, Mehrauli, Delhi |
| Height | 7.21 metres (23 feet 8 inches) |
| Weight | Over 6 tonnes |
| Builder | Chandragupta II (r. ~375–415 CE) — confirmed by Sanskrit inscription |
| Original location | Udayagiri (near Vidisha, Madhya Pradesh) — erected at "Vishnupadagiri" hill |
| Moved to Delhi | Probably by Tomar ruler Anangpal (~11th century CE) |
| Age | ~1,600+ years |
Why the Iron Pillar doesn't rust — scientific explanation (Prof. R. Balasubramaniam, IIT Kanpur):
The pillar contains ~0.25% phosphorus — far higher than modern blast-furnace iron (typically <0.05%). When ancient iron with high phosphorus content begins to corrode, it forms a special two-layer protective film:
- Inner layer: Crystalline iron hydrogen phosphate hydrate (FePO₄·H₃PO₄·4H₂O) — forms directly on the iron surface; dense, low-porosity; blocks oxygen diffusion
- Outer layer: Amorphous misawite (δ-FeOOH, iron oxyhydroxide) — the visible yellowish-brown coating
Delhi's alternating wet-dry cycles (monsoon + dry season) strengthen the phosphate film over time rather than eroding it — the film is self-healing. Together, these factors have prevented significant rusting for 1,600 years.
Why ancient Indian iron had high phosphorus: The ancient forge-welding technique using charcoal and specific wood species (without lime flux) preserved phosphorus in the iron, which modern blast-furnace processes burn off.
UPSC synthesis: Pattadakal = GS1 Art & Culture. Key exam facts: WHL No. 239, inscribed 1987; Bagalkot district Karnataka; criteria (iii)(iv); 10 monuments (9 Hindu + 1 Jain); unique = both Nagara + Dravida + Vesara (hybrid) in one site; Virupaksha Temple = Queen Lokamahadevi, Dravida, ~740 CE, modelled on Kailasanatha Kanchipuram; Papanatha = Vesara hybrid; Iron Pillar = 7.21m, 6+ tonnes, Chandragupta II, original site Udayagiri MP, moved to Delhi by Anangpal; rust-free due to 0.25% phosphorus → iron phosphate hydrate + misawite film (research by Prof. R. Balasubramaniam, IIT Kanpur). Prelims trap: Pattadakal = 1987 (NOT 1984 — Mahabalipuram was 1984); criteria = (iii)(iv) only (NOT all six); the Virupaksha Temple was built by Queen Lokamahadevi (NOT by Vikramaditya II himself); the Iron Pillar was originally at Udayagiri MP (NOT built in Delhi); Pattadakal ≠ Badami = Pattadakal is in Bagalkot (Badami is the Chalukya capital, also in Bagalkot but a separate site).
Exam Strategy
Prelims traps:
- "Napoleon of India": Samudragupta (not Ashoka, not Chandragupta I)
- Allahabad Pillar inscription: Written by court poet Harishena (not by Samudragupta himself)
- Fa-Hien came during Chandragupta II's reign (~399–414 CE); Xuanzang came during Harsha's reign (629–645 CE)
- Iron Pillar of Delhi: Associated with Chandragupta II — NOT the Mauryan period (Ashoka made stone/rock pillars; the Iron Pillar is Gupta)
- Aihole Inscription: Composed by Ravikirti, court poet of Pulakesi II (Chalukya) — NOT a Gupta inscription
- Harshacharita: Written by Banabhatta (not Harsha himself; Harsha wrote plays, not autobiography)
Mains frameworks:
- Gupta "Golden Age": Political stability → economic prosperity → cultural flowering → list achievements in science, literature, art → critically assess: was it really golden for all (Shudras? Women? Non-Gupta kingdoms?)
- Decline of Gupta: Multiple factors → feudalisation thesis vs. Hun invasion thesis
Practice Questions
Prelims:
The Allahabad Pillar inscription (Prayag Prashasti) that describes Samudragupta's conquests was composed by:
(a) Aryabhata
(b) Kalidasa
(c) Harishena
(d) BanabhattaThe Iron Pillar of Delhi is associated with which ruler?
(a) Ashoka
(b) Kanishka
(c) Chandragupta II
(d) HarshavardhanaThe Aihole inscription, which records the defeat of Harshavardhana, was composed by the court poet of:
(a) Narasimhavarman I (Pallava)
(b) Pulakesi II (Chalukya)
(c) Kumaragupta I (Gupta)
(d) Skandagupta (Gupta)Who among the following calculated that the Earth rotates on its own axis, over 1,000 years before Copernicus?
(a) Aryabhata
(b) Varahamihira
(c) Brahmagupta
(d) Bhaskara
Mains:
- Critically assess the claim that the Gupta period was the "Golden Age" of Indian history. Were there any sections of society for whom this was not a golden age? (GS1, 15 marks)
BharatNotes